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Clothing and Dress for Women in the Art of Ancient Greece

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Clothing and Dress for Women in the Art of Ancient Greece

Index


Clothing and Dress for Women in the Art of Ancient Greece

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Time line

Clothes began as the skin of an animal. Weaving seems to have begun to be used for baskets. This weaving began with natural stips such as rush or bark. Once spinning was developed baskets, pouches, and rectangles could be woven using basket weaving techniques. This is still done and is referred to as tatting. Netting also in similarly made. Once spinning was discovered string skirts can be made. This appears to be how the Minoan clothing was made. If Minoan clothing was made of string then the elaborate shapes of fitted clothing in the Minoan frescoes could be explained. Minoan women are shown wearing a vest-like top that exposes the breasts and a girdle-like belt around the waist. Below this is a flounced skirt of an elaborate sort. Minoan men wore short pants which consist of a girdle around the waist with a strap between the legs and a half kilt on the rear. Another possibility is a skirt make of hides. This is illustrated: Click here. The flounced skirt and girdle made with string is illustrated: Click here.

Once the loom was in common use one would expect the rectangle of cloth would be a common component of dress. The peplos of the ancient greeks is just this. from a loom. The peplos consisted of a large rectangle of cloth folded around the body and hung from the shoulders. It was bound with a belt at the waist. Homer mentions the peplos only for women. The similar chiton was mentioned only for men. During the classical period women wore the peplos or the chiton. A himation was a cloaklike garment also worn. Athletes went nude in the sports contests. One of the athletes tripped and strangled himself in his garments and from that time onward athletic contests were performed in the nude. Atalanta sometimes was nude when she raced and beat men.

Greek men at the time of the Trojan war wore different kinds of clothes than were present in classical Greece. When Athena dressed for war she sheds her soft embroidered robe and puts on a tunic in its place. In addition she has the Aegis, a helmet, and a spear. When Patroclus puts on Achilles' armor he puts on greaves, cuirass, sword and shield. This is probably because men always wore tunics. That women wore robes and men wore tunics is born out by the figures on the warrior vase unearthed by Schliemann himself. This vase is dated to 1200 B.C.E. or just after the Trojan war. The tunics were gathered at the waist as some warriors wore belts or aprons. The main armor during the Trojan war was leather. Most of the warriors wore leather helmets, shields, cuirass, apron, and greaves. Only a few warriors had bronze equipment. A good javelin could pierce the leather and this explains the deadly nature of that weapon as described by Homer. A bone overlay provided additional protection for some warriors. The helmet was not the Corithian or Athenian helmet of the classical period. Neither the face nor the ears were that well protected. The Hittite men of this period wore what might e described as a knee length, shirt-like tunic. The Greeks seemed to be wearing a similar but shorter tunic. The Minoan culture of before the Trojan war dressed their men in something like boxer shorts with a very tight girdle around the waist. They also wore a long skirt made of skin on some occaisons. Minoan men are frequently shown with no clothing above the waist. Rarely they are shown with robes on.

During the classical period men and women wore a combination of one or more of a peplos, a chiton, or a himation. A tunic or a girdle might be worn as an undergarment. A chiton might be worn on top of these or alone. A peplos might be worn alone or over a chiton with or without undergarments. A himation could be worn alone or over any other combination of garments.

During this period women became aware of the attractive nature of clothing and began to wear clothing that revealed the voluptous nature of the body underneath. This was especially true of the material from Amorgos. This material exploited a wild plant of the islands. This wild plant was used for the weaving of the flamboyant linen and silk robes of ancient Amorgos, prized items of the classical era, which were dyed red using the lichen Rocella tinctoria.

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Weaving

Weaving was an important tradition for women in ancient Greece. In the Iliad Homer mentions that Athena wears a dress that she wove herself. In the Odyssey when Odysseus arrived at the Palace of Alcinous Homer writes: "White-armed Arete (the queen) was the first to break the silence. For in the fine cloak and tunic she saw him wearing she recognized some clothes that she herself had made with her women's help." Then there is the story of Penelope who wished not to marry until she finished a shroud for her father-in-law. Each night she undid what she had woven during the day and thus postponed any thought of marriage. Weaving was an occupation of the ladies of the highest status.

The looms were upright with a frame attached to a wall and the weaver standing in front. As the work progressed the work was wound up in a roll at the top. Small clay weights were used to weigh down the ends of the warp. There were no spinning wheels, but use was made of the distaff and spindle and whorl. The raw material was held in a spinning basket. A rough clay semicylinder called an epinetron was used to prepare the wool. The results of this loom were high quality, as is demonstrated by the results illustrated in vase painting. You may also study the vase paintings for the patterns produced. There is a picture of Penelope with her loom at: Click here

Spinning and weaving goes back to the dawn of civilization to at least 8000 years ago. Spinning must have developed first with weaving later. The first materials were probably woven like a basket without a loom. The warp weighted looms used by the ancient Greeks were the oldest types so looms were probably developed during the Minoan period. At the beginning of that period cloth would have been scarce and very valuable. Pictures which show ancient Minoan women wearing flounced skirts are deceptive. Because of the difficulty of weaving without a loom these skirts were probably not made of cloth. They were probably made just of string. The material used in clothing should have been a minimum. The loom probably increased the quality and decreased the cost of the cloth made. After the loom was invented clothing covered more of the body, but since the loom produced cloth that was rectangular the clothing also had that shape. Since weaving was always the work of women it seems likely that a woman invented the loom.

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A glossary of Clothing terms

  1. apoptygma the overfold, or part folded back, on a peplos. This word seems to mean 'spew away' from Indo-European 'apo', 'of, away' and 'spyeu', 'To spew, spit'
  2. apodesmos (ἀποδεμος)-- band, breastband, or girdle. May have been used by spartan women for athletic purposes. 'Outer constraint' from Indo-European 'apo-', 'off away' and 'deme-2', 'To constrain'.
  3. Chiton (Χῐτών) -- a robe made of two pieces of material from a semitic word. In early times this applied only to a man's garment. The female version was the peplos.
  4. chitoniskosan Amazon, wearing a cuirass over a chitoniskos, bracelets and a taenia, approaches a shield and a quiver.
  5. diademMaid with diadem (Ariadne?)
  6. epiblemalarge cloak or mantle that is wrapped around the body.
  7. exomis - a short tunic.
  8. flounced skirt - a skirt worn by Minoan women perhaps only when they were involved in religious ceremonies. Woman in flounced skirt
  9. girdle: Asteria wears chiton and himation, but ear-rings too; her hair is lifted by a sling and has leaves stuck in it, or a wreath, in front. Her girdle is seen, and the cord keeping the right sleeve in place. Her right hand toys with her himation at the right shoulder; her left hand passes under, and grasps, the part of the himation that hangs over the left shoulder.
  10. Girdle on a Model
  11. himation
  12. Kestos - a girdle and somtimes a brassiere.
  13. kolpos a gathering of fabric (usually on a belted chiton) that spills over the belt, often obscuring it.
  14. Kerkryphylon -- The image of a Nereid wearing a himation over a medium-sleeved chiton, with a kerkryphylon binding her hair is lost. Breaking the word down may help. The meaning of the word is something line 'horn pushing tribe' from Indo-European 'ker-', 'Horn', 'krue-2', 'To push, strike', and 'bheu-', 'To be, exist, grow'. This suggests that such hair bands identified ones tribe and this one identifed the bull horn tribe.
  15. Mantle
  16. mastodeton (μαστόδετον) -- breast band. from Greek meaning 'breast binder' but not Indo-European
  17. meniskos The restored Pelops Kore wears a meniskos on her head.
  18. paryphe a clump of drapery, clasped by korai in the front of their skirts
  19. peplos (πέπλος)--:
  20. petasos worn by Hermes as a hat.
  21. polos (plural poloi) the headress or crown of a goddess.
  22. sakkos a woman draped in a himation and wearing a sakkos on her head, is profile to the left.
  23. sphendone a woman, seated profile to the right, wearing a himation over a sleeveless chiton, and a sphendone in her hair.
  24. stephane Artemis, wearing a himation draped over her shoulders, a thin chiton with an overfold, a thin stephane and wreath in her hair.
  25. taenia a woman wearing a chiton with a long overfold, and a broad taenia, stands profile to the right and holds an alabastron in her outstretched right hand.
  26. tunic Herakles, wearing his lionskin over a short tunic.

tunic on a doll

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Costumes

A peplos is a pretty easy garment to make. It consists of two pieces of rectangular material that are pinned along the top. The Greek ladies used long pins like hat pins, but you should use safety pins. The material overlaps and is pinned through. These pins could be decorative like a brooch. The width of the rectangle is equal to the width between your wrists when your arms are spread out. The height is equal to the distance between your shoulders and your ankles. The pins should leave a space for your head in the middle. You slip the garment over your head so your head sticks through and the material hangs on your shoulders and arms. You gather the material at your waist with a sash or cord. The material should be a supple material such as silk or a knitted fabric like wool. The Greek ladies usually wore wool. Images follow:

In The Trojan Women Line 496, by Euripides Hecuba describes the clothing of a slave: "Torn rags about me,..., and under them torn flesh."

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Jewelry

The same style of garment was worn by rich and poor women. The rich woman wore finer material that was embroidered. Rich women would also wear a crown and fine jewelry.

They used many kinds of jewely made from precious and semi-precious stones. These were set in gold and silver. The pieces included: rings, earrings, clasps, necklaces, crowns, combs, and pins. A web site on Greek Jewelry is at: Click here

Jewelry was very important to a woman of ancient Greece. Jewelry often indicated a woman's wealth and status. Jewelry also included symbols which were important to religious beliefs. Some pictures follow which you click on to see:

Examples of gold jewelry follow:

A coin necklace is made with one or more coins. Ancient Greek Coins are quite decorative and desirable.

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Cosmetics and Make-up (makeup)

The ancient Greek ladies had available a number of substances to color their lips and skins. There are a number of earth colors which could have been used. Ochre includes various oxides of iron that could be red, yellow or black. The red version could be used as a rouge. Charcoal can be ground to a black powder that could be mixed with olive oil or wax and used as a mascara. The ancient Egyptians knew how to make white lead and this substance was available to the Greeks in powdered form. They liked oils and lotions as well. Olive oil was available as was lard, tallow, bees' wax, and lanolin. Soap was a discovery of the Romans so the ancient Greeks had no soap.

In the theater the actors wore masks that were painted.

What they wore was light. Rouge was the most evident.

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Resources


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